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・ Agneta Månsson
・ Agneta Mårtensson
・ Agneta Pleijel
・ Agneta Prytz
・ Agneta Ringman
・ Agneta Sjödin
・ Agneta Stark
・ Agneta Willeken
・ Agnetapark
・ Agnete and the Merman
・ Agnete Bræstrup
・ Agnete Carlsen
・ Agnete Friis
・ Agnete Friis (badminton)
・ Agnete Hegelund
Agnete Hoy
・ Agnete og Havmanden
・ Agnete Olsen
・ Agnetha Collection
・ Agnetha Fältskog
・ Agnetha Fältskog (album)
・ Agnetha Fältskog De Första Åren
・ Agnetha Fältskog discography
・ Agnetha Fältskog Vol. 2
・ Agnetha Fältskogs bästa
・ Agnetha Fältskogs svensktoppar
・ Agnethe Davidsen
・ Agnetz
・ Agnetz, Oise
・ Agnew


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Agnete Hoy : ウィキペディア英語版
Agnete Hoy

Agnete Hoy (2 November 1914 – 1 April 2000), also known as Anita Hoy, is an English artist potter who managed successfully to create a bridge between industrial ceramics and work of the studio potters. Having studied in Copenhagen she went on to work for the Holbæk and Saxbo potteries in the late-1930s before returning to England. Agnete's Danish experience helped her creativity within the English ceramic industry during the war years and following period.
Her technical expertise related to glazes and firing was gained on the factory floor and used to produce her distinctive designs for production at both Buller's in Stoke-on-Trent and Royal Doulton Lambeth Wares.
== Early life ==
Agnete Hoy was born in Southall, England on 3 November 1914 to her Danish parents, Soren and Anna Blichfeldt who had been living in England since 1906. Soren, a research bacteriologist from Copenhagen, had been invited to set up a new scientific laboratory for the Maypole Margarine Works in Southall.
Being born into a reasonably well-off, middle-class family, Agnete had a peaceful childhood. In common with other families of the same social standing she and her two elder brothers, Svend and Eric, were looked after by a nanny and the household also supported a cook and maid. This happy childhood was to end abruptly with the early death of her father in 1921, when Agnete was only 7 years old. This had a profound effect on her for the whole of her life. The family's income was now drastically reduced and her mother took the young family back to Denmark, where she knew the boys would receive an excellent free state education.
The family had strong artistic traditions both in the visual arts and music and she was encouraged to take up her interest in painting on pre-formed ceramics. At age 19, she applied to the Copenhagen College of Art and Crafts and was accepted, studying there for 3 years. After this she worked with Gerhard Nielsen at the Holbaek Pottery for a year and then moved on to working at Saxbo for Natalie Krebs. In 1938, Agnete married Askel Hoy, an architect, 7 years her senior and it was this surname she would use for the rest of her career. Within a few months the marriage failed, Agnete applied for a formal separation and left Denmark, accompanied by her mother in 1939. She planned to visit her two brothers who had returned to England to work, a few years earlier. It was during this visit that war broke out and they were unable to return to Denmark.
Needing work, Agnete went to stay with her brother Svend, who lived in the centre of the pottery manufacturing industry at Stoke-on-Trent and secured work with Bullers Ltd, who produced electrical insulators. Later she became head of their small art studio and continued in this position until the studio was closed in 1952. After this, she moved down to London to be with her second husband, Harry Bohrer, whom she married in 1943. Once in London, Agnete applied to the Doulton Lambeth studio, and was appointed head of the studio until its closure in 1956.
The next year, Agnete set up her own studio in her home at Acton, West London, and in the early 1960s began lecturing and teaching at various art colleges, including Hammersmith, Farnham and Richmond. Her husband Harry died in 1986. From the early-1990s onwards Agnete suffered from a disabling illness; she died at West Middlesex Hospital, Isleworth on 1 April 2000.

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